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charityrachellephoto@gmail.com

Every now and then you work really hard on an assignment and it never publishes, like this one for New York Times about Joe Minter’s massive art exhibit last fall in a Titusville warehouse. I try to go as hard as I can on every assignment, because you truly never know where your images will end up, as evidenced by accidentally discovering my images were part of a gorgeous environmental exhibit at the New York Times Climate Forward summit a few weeks ago in NYC.


Back to Joe, I spent time with him, our mayor Randall Woodfin, author Imani Perry, and curator Tyler Jones following Joe around his home and the giant warehouse where the exhibit was held.  Joe is one of the most photographed artists in Birmingham, but not yet by me at the time. It was so special to see Joe honored in all these ways, and I was proud to be a part of subverting the Biblical warning “A prophet is not without honor, except in his hometown…”.  You can see more photos in my recent instagram post.

Another installment of my Magnum Foundation reporting grant in partnership with Mother Jones published last week. The project is overarchingly about reproductive health equity (or lack thereof) in Alabama, and it also contributes to a steady stream of stories I continue to find myself covering about the lesser-known ripple effects women are forced to reckon with that were caused by the overturn of Roe v. Wade.  I am in the process of curating and connecting all these separate stories as one cohesive body of work that I’ve already titled “Crossing State Lines” - forthcoming!


In the meantime, you can ready the most recent published story to learn about Alabama-based artist and activist Michelle Browder. One of her many powerful endeavors has been to fabricate and erect the “Daughters of Gynecology” statues in Montgomery Alabama. This monument was created to honor the three named enslaved Black women (there were many more) who were medically experimented on with no anesthesia by J. Marion Sims so that he could become lauded as the “Father of Gynecology”.  A monument in his honor currently stands in front of our State Capitol in Montgomery.


Michelle also deploys fleets of  “Mothers of Gynecology Wellness Pods” (camping trailers converted to health screening modules) to underserved communities, providing grassroots healthcare for those who need it most.

(Images produced with support from the Magnum Foundation and Commonwealth Fund)



I also photographed Melinda Johnson at home with her family for an @nbc story revealing that a new study finding more than 400 pregnancy-related prosecutions post-Roe v. Wade overturn.  This highlights the reality of forcing women to carry children and then prosecuting them for doing so while struggling with addiction, as well as the debate about whether drug related crisis should be treated as a public health priority rather than a criminal matter.  

I have been spending my year in the FotofilmIC Annual Mentorship Program taking my personal photography project “The Promised Land” to its next stage of development, bringing it another step closer to its debut exhibition.  This month I have been crawling my way through the nearly ten thousand photos I have in my project archive in order to cull an edit of 100 images or less to be able to use as a working edit. My computer won’t even open the folder due to its file size, thank God for Photo Mechanic.


I’m off to a rainy November in Paris for an art residency and workshops with some of the most incredible photographers alive today. I will also be attending Paris Photo, if you see me there say hello!


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